Monday, March 29, 2010

Parson's Challenge



Union St.
Pencil
17"x 21"

I live in a world of subtle beauty, whether it be a wrecked building or the garden outside that house. I need only to walk around for an evening and I find brilliant inspiration all around. This building is considered an atrocity to the town I’m from, people are taking steps to remove it; a tragedy. Before they decided to remove it, I thought I might celebrate it’s unconventional beauty and give it all my time and preserve it in a medium of beauty that no one will question. While drawing this unintentional sculpture of rusting barb wire and broken cinderblock walls, weathered roof and grown over architecture of weeds I became very enthusiastic about the fact that this building was not the only encounter with beauty I would ever have. It was as if some benevolent entity came to me and promised infinite beauty for the rest of my life, in which I gladly accepted.

Acid Landscape
Oil Pastel
19"x 14"

While drawing this landscape that I was fortunate enough to happen upon, it became apparent just how ostentatious nature is. I never asked nature to create mountains, giraffe, zebra and tigers, strawberries, trees, hands, water, breasts, tiger-lilies and so much more. However, it has all been given to us to enjoy and embrace. The experience of seeing this landscape in person was intoxicating. I knew that simply drawing the landscape would not do justice to the ecstasy that had manifested in me. I figured that the only way to join the actual environment I was seeing and the ecstasy was to use fantastical colors and surreal form. By using kaleidoscopic color and form I can celebrate all the feelings I experienced and potentially help the viewer experience a similar sentiment.


Free Forms

An idea crossed my mind, “What is the meaning of everything we ever touch and what is my relationship to it?” This led me to consider several ideas such as consumerism, metaphysics, beauty, and so on. However, I don’t wish for these three pieces to be limited to only the topics aforementioned. I meant instead to strike general thought about all that exists around us. While I’m not an avid shopper of Victoria’s Secret for hopefully obvious reasons, people around me are. I wanted to take their preference and supposed waste and create something beautiful out of it. The recycled shopping bags once carried desirable garments for the individual. However, I’m not just thinking about the garments. I’m also thinking of the utility of the waste, the dynamics between the person and product, as well as the perpetuation of beauty. This finally led me to the realization of my relationship to the things I encounter. The relationship is that of my choosing, another might choose to see a political or social comment in my piece, or any other piece for that matter, and that’s what I want. I hope my forms allow the viewer to deduce whatever they want. However, I also must choose what I want. I choose to perpetuate beauty and to celebrate all that is around me.

Monday, March 22, 2010

Portfolio

A Sunday Block
Watercolor
14"x 12" 2008


Lantern Light Still Life
Charcoal
17"x 23" 2008


On.Ions
Watercolor, Pastel
14"x 16" 2008


Huckleberry
Pencil
16"x 18" 2008


i LOVE yoU
Acrylics
20"x 29" 2008


The Room Beyond the Foyer
Acrylics
10"x 17" 2008



The Love of Beatrice & Benedick (Much Ado About Nothing)
Acrylic, Pastel, Magazine Clippings
24"x 18" 2008


Ariel (The Tempest)
Pastel
22"x 28" 2008


The "Suicide" of Ophelia (Hamlet)
Watercolor, Magazine Clippings
28"x 22" 2008


Gloucester to Wonder the Moor (King Lear)
Oil Pastel, Baby Oil
28"x 22" 2008


Out Damned Spot! (Macbeth)
Gesso, Chalk Pastel, Oil Pastel
16"x 13" 2009


Katherine (Taming of the Shrew)
Color Pencil, Magazine Clippings
9"x 14" 2009